If you already have a Helix/Stomp along with great outboard pedals (H9, Collider, True Spring, etc), then you may not be getting any real addition. The Woodrow takes you straight to the 50s zone by virtue of its two channels, which are internally jumpered to facilitate blending the brighter more aggressive instrument channel with the cleaner-, bassier-sounding mic channel. If you want abit more drive, the Boost control provides amodelled germaniumtransistor treble boost into the front of the amp that works just as youd want it to, without going over the top. Attain the classic USA tube amp tones that shaped music anywhere. The Woodrow takes you straight to the 50s zone. With the amp fairly wide open, but under-driven, this makes for a very touch-responsive tonality. Very helpful in understanding how it compares to the stomp. I frequently run a light compressor after the amp model. Imo the iridium is much better sounding than the Dream 65. But that would rather be missing the point. Built upon powerful dualprocessor engines and UA's proven analog modeling expertise, UAFX Guitar Pedals give you sonic authenticity far beyond other stompboxes. So what are they like in that context? As soon as you move one, its sound will jump to the new position. You can then choose your speaker, cabinet and mic setup. Source Audio Collider - probably the stereo best combo reverb and delay pedal out there. And while the boost knob increases gain too, its more of a tone shaper that adds midrange and treble. Create an account to follow your favorite communities and start taking part in conversations. 60 Cycle Hum 114K subscribers Subscribe 1.4K Share 85K views 9 months ago #guitar. . I think the problem with something like the hx-stomp or even fractal's stuff is that people get overwhelmed really fast with so many options and get frustrated if it doesn't sound good out of the box. All rights reserved. CAB SIMS - The UAFX cabs sound great. The Classic American Tube Amp Dream '65 Reverb Amplifier Learn More The Sound of the British Invasion Ruby '63 Top Boost Amplifier Speakers on offer here are 15watt Alnico, the original Jensen, or a25Watt Celestion greenback, all in a1x12 tweed combo housing, plus a4x12 British cabinet with Celestions, a4x10 tweed Bassmanstyle combo cab, and aJBL in a1x12. The Dream '65, Ruby '63 and Woodrow '55 are digital amp emulators that claim to capture the mic'd-up tones of three classic valve combos with new levels of authenticity. Amazon Warehouse often has pedals that were returned for significantly discounted prices. Do you use it in the fx loop or run it in front of the stomp? It runs on a 9V DC power supply, which is not included. Hope y'all liked this one!Contact :Krgjwortiz@gmail.comIf you are interested I'm playing :Guitars: G6136T-MGC MICHAEL GUY CHISLETT SIGNATURE FALCONGRETSCH G6636TSL PLAYERS EDITION SILVER FALCONGretsch G6128T Player's Edition Jet DS 1997 Fender Stratocaster California series with limited edition Fender Custom Shop Fat 60s Josefina Campos hand wound pick upsAmp: Morgan AC20 UAFX DREAM 65UAFX RUBYPeadalboard: Jackson Audio Golden BoyTIM V3Greer amps SouthlandHilton Pro Guitar Volume Pedal Empress Buffer +BOSS TU3sMercury 7 Reverb GFI Synesthesia GFI Specular Tempus X2 One for reverb one for delayUAFX DREAM 65UAFX RUBYCamera :Sony A7CSigma 24-70 ART lens On all three pedals, the controls follow the standard UAFX format of six knobs and three mini toggle switches. The middle switch has Alt, Amp and Store functions. Thanks for the write up. The "room" on the Iridium versus the digital emulation of spring reverb in the Dream 65 are totally different (and I do not think they were meant to compare, really). Connecting to an amp: what UA call the 4cable mode.The stompbox format and ability to defeat the speaker/mic/room emulation mean these devices are obviously envisaged for connection to real guitar amps, as well as for DI recording. The slightly blankcanvas Normal channel does make agreat partner for an overdrive pedal in front, too. I did this to minimize variables. I really like the reverb and tremolo. Thats mainly because Icouldnt find anyapologies to anyone who feels they absolutely need to know this stuff, but once something sounds and feels so completely right, maybe it just doesnt matter any more! I have a iridium, I thought it sounded pretty good through headphones. This is the Ruby pedals Vox 64 Top Boost channel. You plug it in and boom, there is that sound. For what we have are the first three in what must surely be intended as an expanding series of modelspecific virtual guitar amps. The Vib channel brings into play Voxs version of avibrato/tremolo circuit, neither optical nor biasbased like Fenders designs, but something derived largely out of phaseshifter circuitry originally designed for use with electronic organs and accordions. King, Prince and Scotty Moore and interviewed gear innovators such as Paul Reed Smith, Randall Smith and Gary Kramer. The Simplifier is more direct, less of a latency. As a Vox Super-Fan, I wish to offer the Ruby '63 sounds better the the Iridium Vox style tones. Get the classic American tube amp sounds that shaped music. Game changer for me as this was the only real catch about these pedals that made me hesitant to get one. There is certainly more than enough real thing in these emulations to make that adeeply rewarding investment. External 9V DC power is required, using astandard 2.1mm centrenegative pedal connector. Tele, bridge pickup, with guitar volume control backed off to about 70%. It really sounds and feels like a real amp, like I would challenge anyone to A/B and figure out which is which. Personally, Iprefer my amp emulations to come in ahardware box with physical controls, preferably the same as the ones on the real amp, to which Ican directly connect aguitar and know that input level and impedance are not variables. BA1 1UA. DId into arecording setup, and driven by typical singlecoil or humbucking passive pickups, the Stock modelled Deluxe displays atypically 6V6tube sweet style of clean up to about four on the dial and gradually begins to offer up avery touchsensitive, edgeofdistortion breakup thereafter. I was curious to see an opinion from someone who had used an irridium. UAFX pedals feature true stereo processing, so the left and right inputs are processed completely independently. Forgive my ignorance, I didn't realize this was a possibility. You will receive a notification when the price drops. Theres enough output level on tap to match or exceed the output of the internal preamp on anything that Itested. The Fender "round" model on the Iridium is good but it doesn't match the Dream. There are already plenty of heavy-distortion, or sparkling-clean audio demos of the new UAFX amp sim pedals all over the web, but heres the in-between thats really what I love about these. Based on a Vox AC30 (opens in new tab) platform, the Ruby 63 Top Boost has a control layout consisting of volume, cut, output, bass, treble and boost. Hey everyone! Huge in mono, and some subtle spread in stereo. The UA dream 65 is no exception and is probably. UAs Dream 65 ReverbAmp is capable of some of the finest, most detailed and, above all, most playable emulations of arecorded amp sound Ive ever heard. As in the 65 Deluxe, moving the middle switch up to the Alt position repurposes the Treble and Boost controls as Speed and Intensity. But that isnt necessarily fair as it is comparing a single $400 pedal to like $1600 worth of pedals. I had both and sold the Iridium. You are using an out of date browser. The Strymon Iridium, Boss IR200, Atomic AmpliFirebox MKII, Line 6 Pod Go, Walrus ACS1, and undoubtedly afew more that Ive forgotten, will all give you very decent emulated amp and speaker sounds for asimilar price. Do the headphones have to be powered or does the amplification occur in the pedal? I used one of these doodads with it for the headphones: Mooer Audiofile Sure, that's an additional cost, but IMO the sound quality of the Dream is worth it. no comments yet. JHS Kilt v2 - Apparently this is a signature pedal, but I have no idea who STU G is. Very helpful. More Details $ 399 .00 As low as $17 /month with 24 mo. Theyd better sound really, really good then! I still might get a Stomp one of these dayseven if to free up some spots on my board for my more "set and forget" stuff. Consolidating rigs into a smaller footprint, recording, adding flexibility, Capable of replacing you amplifier entirely, But another, perhaps more important, feature of the Dream 65 is that it consolidates so much functionality into one spot. I had an epiphany looking at my pedals the other day when I realized deep dive menus and secondary functions are usually a deal breaker for me. Universal Audio Dream '65 Reverb Amplifier Brand New 30-Day Return Policy Alto Music Middletown, NY, United States (105,966) 187,000 sales since 2014 Message Seller Payment & Returns About This Listing Get the classic American tube amp sounds that shaped music. The comparison between the. Each UAFX pedal requires 400 mA of current. Two-Rock 2x12 extension cab with Celestion G12-65s, with ribbon and 57 mic emulation, which mimics a California ported cab sound. However, they perform different functions depending on the model. Move the Channel switch up to Brilliant and the Bass and Treble controls come into play. I honestly cannot say that I have spent enough time with Strymon to be able to identify a sound, but then again I know there are a lot of folks out there who swear by them! Given the potential vagaries of Bluetooth connection and the possibility of your mobile device being inconveniently out of power, Ithink there really should be an emergency revert to Live/Preset routine accessible by rebooting while holding down both footswitches, or something. Re: American Standard Pitch Notation, a true work of evil. Or rather they are here. As with those pedals, the new Dream 65 Reverb-Amp, Ruby 63 Top Boost Amplifier and Woodrow 55 Instrument Amplifier feature stylish metal housings, stereo ins and outs, dual foot switches, and the ability to activate and manage factory and user presets via the UAFX Control mobile app (iOS and Android), where you can download artist sounds, edit amp tones and even change the functions of the foot switches. This sucks because by my thinking, you really need four switches: bypass, boost, reverb, and tremolo. The speakers and boosts are all unique to each amplifier, reflecting both standard equipment and historically favoured alternate choices. Connect to an effects return if possiblethe suggested 4cable mode works great to allow you to use these as aswitchable alternative to your amps own preampbut it can still work if you have to go in the guitar input of an amp, especially on nonmastervolume models. 3 BIG Differences - Buyer's Guide for Strymon Iridium vs Universal Audio Dream '65. youtu.be/lYTS-y. The Woodrow 55 really is adelightful little amp, full of nuances and historic tonal references. It feels solid and durable. I have no need for it but if I doI will grab it. Certainly a game changer and hopefully possible with a firmware update. The app will allow you to backup and restore your preset library, access the factory and artist presets, and reassign the functions of the two footswitches. Dream '65 Reverb Amplifier Get the classic American tube amp sounds that shaped music The UAFX Dream '65 Reverb Amplifier pedal gives you the essential American tube amp used by artists and producers for 60 years, from Muddy Waters to The Beatles to Elvis Costello. Starting on the left side is the speaker switch which has settings for Blu15, JP12 and GB25, and you can cycle though all six micd cabinets by holding the switch down. A good tube in the right hand slot will help you fine tune the distortion character to your liking. It is like having 50 different pedals in one enclosure. Last edited: Aug 28, 2022 rhyming_orange Member Messages 634 Aug 28, 2022 #3 They all work well: the Deluxe into aDeluxe, not surprisingly, but the Vox into the power amp of aMark series Boogie is aspecial delight, maybe because it offers up akind of chime and grind that the Boogie on its own cant get near. Now you have the convenience of grinding things up via the boost knob, which can deliver up to 10dB of clean level to the front end. Its not ideal, but there are few enough controls that its not really aproblem in practice. September 6, 2022 . Note that asuitable power supply is not included with the pedals, and that not all pedalboard power supply outputs may have the required 400mA current capacity. Look for version2, it has some trim pots on the bottom that version1 did not have. In Amp mode, the standard amp controls are available. You can summon more dirt via the boost knob, which adds front-end gain from the preamp section of an EP-III Echoplex, but even with boost all the way up theres not a huge amount of distortion here. Its areally simple circuit, with no reverb or modulation, asingle Tone control and ahighimpedance microphone input alongside its instrument input. Universal Audio UAFX Dream '65 VS Strymon Iridium [BGM] - YouTube Answer2:24The backing after 0:20 is the sound of A.It's connected to other pedals, but only Timeline (to Lead) is. I have and love Dream--it's a perfect Fender in a box without buying four or five separate products to get there. Then theres the reverb, or two of them if you are using both outputs. For testing I plugged in either a Strat or a Les Paul and ran the three UAFX pedals daisy-chained together into either a compact live rig with a small power amp and a 1x12 cabinet, or direct into a PA, usually in mono. Like i am in awe. My True Spring pedal allows me to choose from Opto, Bia, and Harmonic Tremolo and even lets me adjust the stereo width/panning. When used in a mono-in/stereo-out setup, the input is split before the stereo effect engine. Built on powerful dual-engine processing and world-class UAD modeling, Dream '65 delivers bold cleans, sweet breakup, and divine spring reverb and vibrato. The big one. The place for all things related to guitar pedals. Especially with David Hislop tone matched IRs with the 1176D on the IR is the best sounding amp sim Ive ever heard. Press J to jump to the feed. There is atrue stereo path through the unit if you use both inputs, but if you use one input and both outputs, you are actually running two phaselocked instances of very slightly different amps, as if using an A/BY box. The Woodrow 55 Instrument Amplifier models all the subtle nuances of aFender 5E3 Tweed amp, including the interaction between the instrument and mic stages.It is quite hard to imagine asingle amp being able to deliver both Larry Carltons sweet sustaining cleans and leads of the 70s and Neil Youngs guitar mayhem, but they are both very characteristically Tweed Deluxe.